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To a formal kimono with a decorated skirt, a visiting dress, the dyed cloth without a pattern which is a classic-like grand obi♪

Nishijin brocade six double-woven obi ◆ Kano good luck carefully made ◆ sewing hukuro-0426 belonging to

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$ 566.87 (¥ 63,000)
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New sewing of the Nishijin brocade six double-woven obi (10% of quality indication silk 90% rayon polyester) is with it.
After an order, you receive delivery date of 10th, and please let I put a cotton core and do sewing and put it.
In the case of change hope, I accept it by addition of 2,100 yen (tax-included) to a silk core.

The order for silk coreThisから

As, as for this double-woven obi, sewing is with itThe product collect on delivery is not availableApprove ので.

生成り感じのオフホワイト( 真砂のように金を散らしていますので 薄金地に見えます )地に、落ち着いた紫鼠 青緑 朱色( きつくない上品な朱で 加納幸独特のお色です )等で華紋を織った格調高い袋帯です。

Please match it with formal kimono with a decorated skirt visiting dress dyed cloth without a pattern.
It is a wonderful obi enhancing the status of the kimono with the grand obi of the formal direction still more.

The weaver is a maker of the classic first rank in the Nishijin brocade which is a number by Nishijin brocade thing industrial guild certificate stamp number 440th Kano good luck.
Using the thread foil that the Kano good luck selected carefully, the good quality is a place with the reputation.

The dimensions are before and after obi 31cm in width (8 sun of two minutes) length 4m40cm (6 sun of approximately one length 1 shaku).

[Kano good luck]

Yasushi Kano Jiro is a cadet family from tortoise shop Sahee in 1889. The place where Kaichiro of the eldest son promoted a transfer, the work can say the substantial founder. Kaichiro has two sons, and Yoshikazu, the brothers of Koichi succeed the work jointly, but Koichi of the younger brother becomes independent in July, 1949 and founds "the Kano good luck".
I make a lot of Imperial Family purchase obis, and even west formation comes to be counted in one of the influential shops as a weaver of the handwoven highest grade Zone. In the work, I am placed in world-famous fashion magazine "Paris Vogue" and exhibit for Japan art temporary exhibition later in Metropolitan Museum of Art (New York), and there are the store of the art museum and the work that it is now.
The Heisei era begins and embosses urbane unique coloration and a chic sense on the entire surface and lays emphasis to make the thing of the image not to be kept in the conventional concept in Japanese dress and acquires a firm position now in the industry.



























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