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To a visiting dress, the dyed cloth without a pattern which is a refined obi like [Kano good luck]♪

Nishijin brocade six double-woven obi Kano good luck carefully made sewing hukuro-0393 belonging to

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$ 757.68 (¥ 84,000)
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Product Information

New sewing of the Nishijin brocade double-woven obi (20% of quality indication silk 80% rayon fiber polyester out of the designation) is with it.
After an order, you receive delivery date of 10th, and please let I put a cotton core and do sewing and put it.
In the case of change hope, I accept it by addition of 2,100 yen (tax-included) to a silk core.

The order for silk coreThisから

As, as for this double-woven obi, sewing is with itThe product collect on delivery is not availableApprove ので.

It is the at all wonderful なな double-woven obi which wove flower Marubun of the four seasons in autumn flowers mainly in the silver foil place which wove the pattern of the bush clover.

Please match it with visiting dress dyed cloth without a pattern.
I am gentle and am the obi with the article very much.

The weaver is a maker of the classic first rank in the Nishijin brocade which is a number by Nishijin brocade thing industrial guild certificate stamp number 440th Kano good luck.
Using the thread foil that the Kano good luck selected carefully, the good quality is a place with the reputation.

The dimensions are before and after obi 31cm in width (8 sun of two minutes) length 4m40cm (6 sun of approximately one length 1 shaku).

[Kano good luck]

Yasushi Kano Jiro is a cadet family from tortoise shop Sahee in 1889. The place where Kaichiro of the eldest son promoted a transfer, the work can say the substantial founder. Kaichiro has two sons, and Yoshikazu, the brothers of Koichi succeed the work jointly, but Koichi of the younger brother becomes independent in July, 1949 and founds "the Kano good luck".
I make a lot of Imperial Family purchase obis, and even west formation comes to be counted in one of the influential shops as a weaver of the handwoven highest grade Zone. In the work, I am placed in world-famous fashion magazine "Paris Vogue" and exhibit for Japan art temporary exhibition later in Metropolitan Museum of Art (New York), and there are the store of the art museum and the work that it is now.
The Heisei era begins and embosses urbane unique coloration and a chic sense on the entire surface and lays emphasis to make the thing of the image not to be kept in the conventional concept in Japanese dress and acquires a firm position now in the industry.

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